Nepal, Jan. 19 -- Mekh Limbu's art needs little elaboration. It speaks the truth, laid out for all to see and reflect on. It's real; it's quiet, keening and sharp. Take his installation 'How I Forgot My Mother Tongue', for instance, which was part of the Opposite Dreams exhibition displayed during the Photo Kathmandu festival last year. The work featured historical documents collected by the artist, including four copies of Nepal's constitutions, the books the artist studied as a child, and the question papers, notes and diaries kept by the artist's father. All these documents, which were highlighted and modified, served as instruments to display how Nepal's indigenous communities have been historically ostracised and marginalised. Limbu ...